Costume jewelry flourished with increased spending power that this decade yielded. Consequently, s costume jewelry perfectly facilitated the trend for women to look well groomed.
This silhouette was to dominate the following decade, becoming the archetypal image of the s woman.
17.02.2020 – Some of these took on Art Deco shapes and colors, reviving this recently past style once again. Baby-G Womens Fine Faux 14kt. We turned a hobby into this website to make it easy to find vintage inspired clothing for women and men online spanning s. Yet it was tastefully placed.
Novelty designs and patriotic colors were still common but were being replaced by classic vintage jewelry shapes and colors. Expanding on the desire for women to appear considered and coordinated, women wore matching sets of jewelry.
A set of jewelry pieces designed to be worn together is called a parure. Women wore matching earrings, brooches, rings, necklaces and sometimes bracelets.
If you keep them all to say, gilt in winter and white beads in summer, you will never look wrongly trimmed. Long pearl necklaces were not just a 20s fashion.
Pearls had been a popular choice of jewelry for the past few decades. However, in the s, pearls suddenly enjoyed a boom in popularity.
They were the perfect accessory for the little black dress. Black and white were very chic. Stand lengths were usually very short so they could be seen above a modest neckline but could also be very long such as the waist length necklace trend in the mids.
A single pearl stud earring and a single or double strand pearl necklace was the required day wear for most outfits.
Drop pearl earrings were an option for women with pierced ears however most women used clip on or screw back earrings. This year it is the mass of white beads.
Find, beg, or borrow every strand you can, whatever their size. Put them all together in what appears to be a tangled mass. Grace Kelly was frequently pictured wearing pearls, and subsequently was a fan of the jewelry style.
For decades wearing flashy jewelry in the daytime was seen as vulgar. In the 50s wearing jewelry during the day was not only encouraged in ads and Hollywood star sponsorships but also in clothing design.
Open necklines also invited bib necklaces and layers of beads to shine against the skin. Rhinestones were stitched onto dresses, accented belts, or embellished collars.
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Pearls were beaded onto hats, chignon hair wraps and purses. Nothing was left alone. Every outfit called for some dazzling jewelry. Consequently, this trend filtered through to costume jewels.
Bolder colors began to grow in popularity in the 50s steering away from primary hues and into soft pastels, saturated tropicals, and shiny metals.
Red was the one primary color to survive into the 50s. Red beads, bangles, belts, and earrings accessorized summer clothing boldly.
Turquoise and white bead necklace, bracelets and earrings compliment the blue dress. The girl in pink wears large button earrings.
Faux turquoise and coral stones were the two new colors, revived from the s. Real turquoise was prone to fading or dulling from contact with skins oils or direct light.
Jewelry was meant to pop, to stand out and be noticed.
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Yet it was tastefully placed. Most women avoided jewelry with casual clothing but added one to three pieces for outing dresses, suits and evening time.
The favored choice of jewelry setting during the s was a yellow-toned gold. Rose-gold was also trendy, especially when set with rubies and warm color gems.
The most noteworthy of these was textured gold. It encased colored jewelry throughout the decade. In the later years, it was rich enough to be worn on its own.
Gold button earrings, gold flowers and leaf necklaces, gold cuff bracelets and gold figure brooches were large but simple. Gold chain bracelets and necklaces were very fashionable in the late 50s.
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Heavy, layered and miss matched was the emerging bohemian look. Lucite is a type of plastic made from acrylic resin developed in the s.
During WII, military aircrafts used Lucite as an important component. Bakelite is another vintage plastic used heavily in the s and some in the s.
This created a lighter almost glass or diamond-like appearance that fit better into the 50s use of pastels. One such jewelry design was the Jelly Belly pin.
The brooches were formed of gold-plated metal and trimmed with rhinestones.
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They were quite small and looked best worn in clusters of two or three, called scatter pins. Animal shapes such as frogs, seals, poodle, ducks, and roosters made of the bulk or genuine Jelly Belly pins.
These pins quickly became hugely popular. This brooch from Charming Charlie is a new version of the s Jelly Belly pins.
They were just called pop beads. right hand ring designs with round diamond stone The item must be returned in its original condition.
Lucite was available in a variety of colors and finishes. Confetti Lucite —layers of glittering fibers captured in the resin, was also a popular choice for costume jewelry.
These are experiencing a rival today in the vintage, pinup and Rockabilly community. Lucite gold glitter lighting bolt from Unique Vintage.
The vogue for glittering, sparkling jewels has never faded.
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However, in the s, this trend reached new heights. During WII, rhinestones were difficult to obtain due to metal shortages.
By the s, rhinestones were once again readily available and highly desirable. They decorated clothing, hats and handbags and provide evening dresses with the perfect touch of sparkle.
Evening jewelry could be a simple single or double strand rhinestone necklace or a more dramatic bib rhinestone necklace for gowns with plunging necklines.
Many women choose to only wear large rhinestone earrings or a brooch with their cocktail attire. Small cut crystals were a more expensive alternative to rhinestones.
They glittered brighter and came in much larger bib collar and teardrop shaped necklaces with matching earrings and cuff bracelets. They transitioned from day to night beautifully growing larger into the evening styles.
Multi-row chokers, layered pearls, and pearls mixed with stones created elegant evening jewelry.
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By the mid s, a new type of sparkle burst onto the scene. Christian Dior in collaboration with Swarovski had developed the Aurora Borealis stone.
This glass gem sparkled iridescently, creating a visually mesmerizing rainbow effect. Simultaneously, fashion houses were realizing the potential of costume jewelry to complement their designs.
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Chanel and Schiaparelli had been releasing their own jewelry designs for years. By the latter half of the decade, many more fashion houses all had their own in-house jewelry designs.
Later more and more plastic beads crept in and jewelry became cheaper. Aurora Borealis costume jewelry delighted the women of the s, just as it does today.
The lovely stones fashioned into necklaces, bracelets, earrings, pins and brooches picked up and radiated the color of the clothes on which they were worn.
As costume jewelry grew in size, the trend for cocktail jewelry emerged. Costume jewelry wedding rings for women dresses Shine
The glory of Aurora Borealis slowly faded and, by the mids, it had disappeared. As costume jewelry grew in size, the trend for cocktail jewelry emerged.
Cocktail rings also called knuckle-dusters were designed to be oversized, statement pieces. They were made of large fake diamonds and translucent stones that reflected light.
There were also cocktail rings made of clusters of rhinestones, pearls, and colored gems. Most were round but some designers shaped them into snake like lines, atomic stars, sunbursts and geometric bands.
The modernist movement combined metal and bakelite or lucite into cocktail rings that were especially popular with the youth.
Some of these took on Art Deco shapes and colors, reviving this recently past style once again.
Cocktail rings had several names to describe the shape or design. Bombe rings were dotted with colorful gemstones. Wired rings created a nest topped by a large gemstone.
Ballerina rings featured all over sparkling gemstones. Bypass rings were oversized with very large gems.
The company Trifari was officially founded in Founder Gustavo Trifari had been making jewelry since the early s. From the s onwards, the brand created a vast amount of costume jewelry.
Consequently, the company was one of the largest manufacturers of American costume jewelry the other being Coro. She wore a faux rhinestone and pearl choker necklace with matching three-stranded bracelet and earrings in She was the first to wear costume jewelry at an inaugural ball.
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